Full Text Political Transcripts February 21, 2017: President Donald Trump’s Speech at the National Museum of African American History and Culture

POLITICAL TRANSCRIPTS

TRUMP PRESIDENCY & 115TH CONGRESS:

Remarks by President Trump at the National Museum of African American History and Culture

Source: WH, 2-21-17

National Museum of African American History and Culture
Washington, D.C.

9:54 A.M. EST

THE PRESIDENT:  Thank you very much, everybody.  It’s a great honor to be here.  This was some beautiful morning and what a job they’ve done, like few others have been able to do.

I am very, very proud of Lonnie Bunch.  The work and the love that he has in his heart for what he’s done is — I always talk about you need enthusiasm, you need really love for anything you do to do it successfully.  And, Lonnie, you are where?  Come on.  Where’s Lonnie?  You should be up here, Lonnie.  Come on.

And David — we have to get David up here, too.  David Skorton is tremendous and he was singing Lonnie’s praises all morning long.  So you two should at least be here.  So we appreciate it very much.

And David Rubenstein, who is here someplace, he is — come on, David, you have to get up here, David.  You certainly deserve it.  He’s a very, very successful guy who spends money doing great things, and he’s been a great help to so many different groups and this one in particular.

Thank you.  It’s a privilege to be here today.  This museum is a beautiful tribute to so many American heroes — heroes like Sojourner Truth, Harriet Tubman, Frederick Douglass, Booker T. Washington, Rosa Parks, the Greensboro students, and the African American Medal of Honor recipients, among so many other really incredible heroes.

It’s amazing to see.  I went to — we did a pretty comprehensive tour, but not comprehensive enough.  So, Lonnie, I’ll be back.  I told you that.  Because I could stay here for a lot longer, believe me.  It’s really incredible.

I’m deeply proud that we now have a museum that honors the millions of African American men and women who built our national heritage, especially when it comes to faith, culture and the unbreakable American spirit.  My wife was here last week and took a tour, and it was something that she’s still talking about.  Ivanka is here right now.  Hi, Ivanka.  And it really is very, very special.  It’s something that, frankly, if you want to know the truth, it’s doing so well that everybody is talking about it.

I know President Obama was here for the museum’s opening last fall.  And I’m honored to be the second sitting President to visit this great museum.  Etched in the hall that we passed today is a quote from Spottswood Rice, a runaway slave who joined the Union Army.  He believed that his fellow African Americans always looked to the United States as the promised land of universal freedom.  Today and every day of my presidency, I pledge to do everything I can to continue that promise of freedom for African Americans and for every American.  So important.  Nothing more important.

This tour was a meaningful reminder of why we have to fight bigotry, intolerance and hatred in all of its very ugly forms.  The anti-Semitic threats targeting our Jewish community and community centers are horrible and are painful, and a very sad reminder of the work that still must be done to root out hate and prejudice and evil.

I want to thank a great friend of mine, Dr. Ben Carson, and his beautiful family — Candy and the whole family — for joining us today.  It was very special to accompany him and his family for the first time seeing the Carson exhibit.  First time.  I’m so proud of you.  I love this guy.  He’s a great guy.  Really a great guy.  And he can tell you better than me, but I’ll tell you what, we really started something with Ben.  We’re very, very proud of him.  Hopefully, next week he’ll get his approval, about three or four weeks late — and you’re doing better than most, right?  But the Democrats, they’ll come along.  I have no doubt they’ll come along.  But Ben is going to do a fantastic job at HUD.  I have absolutely no doubt he will be one of the great — ever — in that position.

He grew up in Detroit, and had very little.  He defied every statistic.  He graduated from Yale, and he went on to University of Michigan’s medical school.  He became a brilliant — totally brilliant — neurosurgeon, saved many lives, and helped many, many people.  We’re going to do great things in our African American communities together.  Ben is going to work with me very, very closely.  And HUD has a meaning far beyond housing.  If properly done, it’s a meaning that’s as big as anything there is, and Ben will be able to find that true meaning and the true meaning of HUD as its Secretary.  So I just look forward to that.  I look forward to watching that.  He’ll do things that nobody ever thought of.

I also want to thank Senator Tim Scott for joining us today.  Friend of mine — a great, great senator from South Carolina.  I like the state of South Carolina.  I like all those states where I won by double, double, double digits.  You know, those states.  But South Carolina was one, and Tim has been fantastic how he represents the people.  And they love him.

I also want to profoundly thank Alveda King for being here, and as we saw her uncle’s wonderful exhibit, and he certainly deserves that.  Mrs. King — and by the way, Ms. King, I can tell you this personally because I watch her all the time, and she is a tremendous fighter for justice.  And so, Alveda, thank you very much.

MS. KING:  Thank you, sir.

THE PRESIDENT:  Come up here for a second.

MS. KING:  Yes, sir.  Thank you.

THE PRESIDENT:  I have been watching you for so long, and you are so incredible.  And I wanted to thank you for all the nice things you say about me.

MS. KING:  Thank you, sir.

THE PRESIDENT:  Not everybody says nice things, but she’s special.

MS. KING:  I love you and your family.  You’re the best.  You’re great.

THE PRESIDENT:  Thank you.  Come here.

MS. KING:  Thank you.  Thank you.

THE PRESIDENT:  Thank you, darling.  Appreciate it.

So with that, we’re going to just end this incredible beginning of a morning.  But engraved in the wall very nearby, a quote by the Reverend Martin Luther King, Jr.  In 1955, he told the world, “We are determined…to work and fight until justice runs down like water, and righteousness like a mighty stream.”

And that’s what it’s going to be.  We’re going to bring this country together, maybe bring some of the world together, but we’re going to bring this country together.  We have a divided country.  It’s been divided for many, many years, but we’re going to bring it together.  I hope every day of my presidency we will be honoring the determination and work towards a very worthy goal.

And for Lonnie, and David, and David, and Ben, and Alveda, and everybody, I just want to — I just have to say that what they’ve done here is something that can probably not be duplicated.  It was done with love and lots of money, right Lonnie?  (Laughter.)  Lots of money.  We can’t avoid that.  But it was done with tremendous love and passion, and that’s why it’s so great.

So thank you all very much for being here, I appreciate it.  And congratulations.  This is a truly great museum.  Thank you.  (Applause.)

END
10:03 A.M. EST

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Full Text Political Transcripts September 24, 2016: President Barack Obama’s Speech at the Dedication of the National Museum of African American History and Culture

POLITICAL TRANSCRIPTS

OBAMA PRESIDENCY & 114TH CONGRESS:

President Barack Obama’s Speech at the Dedication of the National Museum of African American History and Culture

Source: WH, 9-24-16

National Mall

Washington, D.C.

11:55 A.M. EDT

THE PRESIDENT:  James Baldwin once wrote, “For while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard.”  For while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard.

Today, as so many generations have before, we gather on our National Mall to tell an essential part of our American story — one that has at times been overlooked — we come not just for today, but for all time.

 

President and Mrs. Bush; President Clinton; Vice President and Dr. Biden; Chief Justice Roberts; Secretary Skorton; Reverend Butts; distinguished guests:  Thank you.  Thank you for your leadership in making sure this tale is told.  We’re here in part because of you and because of all those Americans — the Civil War vets, the Civil Rights foot soldiers, the champions of this effort on Capitol Hill — who, for more than a century, kept the dream of this museum alive.

That includes our leaders in Congress — Paul Ryan and Nancy Pelosi.  It includes one of my heroes, John Lewis, who, as he has so often, took the torch from those who came before him and brought us past the finish line.  It includes the philanthropists and benefactors and advisory members who have so generously given not only their money but their time.  It includes the Americans who offered up all the family keepsakes tucked away in Grandma’s attic.  And of course, it includes a man without whose vision and passion and persistence we would not be here today — Mr. Lonnie Bunch.  (Applause.)

What we can see of this building — the towering glass, the artistry of the metalwork — is surely a sight to behold.  But beyond the majesty of the building, what makes this occasion so special is the larger story it contains.  Below us, this building reaches down 70 feet, its roots spreading far wider and deeper than any tree on this Mall.  And on its lowest level, after you walk past remnants of a slave ship, after you reflect on the immortal declaration that “all men are created equal,” you can see a block of stone.  On top of this stone sits a historical marker, weathered by the ages.  That marker reads:  “General Andrew Jackson and Henry Clay spoke from this slave block…during the year 1830.”

I want you to think about this.  Consider what this artifact tells us about history, about how it’s told, and about what can be cast aside.  On a stone where day after day, for years, men and women were torn from their spouse or their child, shackled and bound, and bought and sold, and bid like cattle; on a stone worn down by the tragedy of over a thousand bare feet — for a long time, the only thing we considered important, the singular thing we once chose to commemorate as “history” with a plaque were the unmemorable speeches of two powerful men.

And that block I think explains why this museum is so necessary.  Because that same object, reframed, put in context, tells us so much more.  As Americans, we rightfully passed on the tales of the giants who built this country; who led armies into battle and waged seminal debates in the halls of Congress and the corridors of power.  But too often, we ignored or forgot the stories of millions upon millions of others, who built this nation just as surely, whose humble eloquence, whose calloused hands, whose steady drive helped to create cities, erect industries, build the arsenals of democracy.

And so this national museum helps to tell a richer and fuller story of who we are.  It helps us better understand the lives, yes, of the President, but also the slave; the industrialist, but also the porter; the keeper of the status quo, but also of the activist seeking to overthrow that status quo; the teacher or the cook, alongside the statesman.  And by knowing this other story, we better understand ourselves and each other. It binds us together.  It reaffirms that all of us are America — that African-American history is not somehow separate from our larger American story, it’s not the underside of the American story, it is central to the American story.  That our glory derives not just from our most obvious triumphs, but how we’ve wrested triumph from tragedy, and how we’ve been able to remake ourselves, again and again and again, in accordance with our highest ideals.

I, too, am America.

The great historian John Hope Franklin, who helped to get this museum started, once said, “Good history is a good foundation for a better present and future.”  He understood the best history doesn’t just sit behind a glass case; it helps us to understand what’s outside the case.  The best history helps us recognize the mistakes that we’ve made and the dark corners of the human spirit that we need to guard against.  And, yes, a clear-eyed view of history can make us uncomfortable, and shake us out of familiar narratives.  But it is precisely because of that discomfort that we learn and grow and harness our collective power to make this nation more perfect.

That’s the American story that this museum tells — one of suffering and delight; one of fear but also of hope; of wandering in the wilderness and then seeing out on the horizon a glimmer of the Promised Land.

It is in this embrace of truth, as best as we can know it, in the celebration of the entire American experience, where real patriotism lies.  As President Bush just said, a great nation doesn’t shy from the truth.  It strengthens us.  It emboldens us. It should fortify us.  It is an act of patriotism to understand where we’ve been.  And this museum tells the story of so many patriots.

Yes, African Americans have felt the cold weight of shackles and the stinging lash of the field whip.  But we’ve also dared to run north, and sing songs from Harriet Tubman’s hymnal.  We’ve buttoned up our Union Blues to join the fight for our freedom. We’ve railed against injustice for decade upon decade — a lifetime of struggle, and progress, and enlightenment that we see etched in Frederick Douglass’s mighty, leonine gaze.

 

Yes, this museum tells a story of people who felt the indignity, the small and large humiliations of a “whites only” sign, or wept at the side of Emmett Till’s coffin, or fell to their knees on shards of stained glass outside a church where four little girls died.  But it also tells the story of the black youth and white youth sitting alongside each other, straight-backed, so full of dignity on those lunch counter stools; the story of a six-year-old Ruby Bridges, pigtails, fresh-pressed dress, walking that gauntlet to get to school; Tuskegee airmen soaring the skies not just to beat a dictator, but to reaffirm the promise of our democracy — (applause) — but remind us that all of us are created equal.

This is the place to understand how protest and love of country don’t merely coexist but inform each other; how men can proudly win the gold for their country but still insist on raising a black-gloved fist; how we can wear “I Can’t Breathe”

T-shirt and still grieve for fallen police officers.  Here’s the America where the razor-sharp uniform of the Chairman of the Joint Chiefs of Staff belongs alongside the cape of the Godfather of Soul.  (Laughter.)  We have shown the world that we can float like butterflies and sting like bees; that we can rocket into space like Mae Jemison, steal home like Jackie, rock like Jimi, stir the pot like Richard Pryor; or we can be sick and tired of being sick and tired, like Fannie Lou Hamer, and still Rock Steady like Aretha Franklin.  (Applause.)

We are large, Walt Whitman told us, containing multitudes.  We are large, containing multitudes.  Full of contradictions.  That’s America.  That’s what makes us grow.  That’s what makes us extraordinary.  And as is true for America, so is true for African American experience.  We’re not a burden on America, or a stain on America, or an object of pity or charity for America.  We’re America.  (Applause.)

And that’s what this museum explains — the fact that our stories have shaped every corner of our culture.  The struggles for freedom that took place made our Constitution a real and living document, tested and shaped and deepened and made more profound its meaning for all people.  The story told here doesn’t just belong to black Americans; it belongs to all Americans — for the African-American experience has been shaped just as much by Europeans and Asians and Native Americans and Latinos.  We have informed each other.  We are polyglot, a stew.

Scripture promised that if we lift up the oppressed, then our light will rise in the darkness, and our night will become like the noonday.  And the story contained in this museum makes those words prophecy.  And that’s what this day is about.  That’s what this museum is about.  I, too, am America.  It is a glorious story, the one that’s told here.  It is complicated and it is messy and it is full of contradictions, as all great stories are, as Shakespeare is, as Scripture is.  And it’s a story that perhaps needs to be told now more than ever.

A museum alone will not alleviate poverty in every inner city or every rural hamlet.  It won’t eliminate gun violence from all our neighborhoods, or immediately ensure that justice is always colorblind.  It won’t wipe away every instance of discrimination in a job interview or a sentencing hearing or folks trying to rent an apartment.  Those things are up to us, the decisions and choices we make.  It requires speaking out, and organizing, and voting, until our values are fully reflected in our laws and our policies and our communities.

But what this museum does show us is that in even the face of oppression, even in the face of unimaginable difficulty, America has moved forward.  And so this museum provides context for the debates of our times.  It illuminates them and gives us some sense of how they evolved, and perhaps keeps them in proportion.  Perhaps it can help a white visitor understand the pain and anger of demonstrators in places like Tulsa and Charlotte.  But it can also help black visitors appreciate the fact that not only is this younger generation carrying on traditions of the past but, within the white communities across this nation we see the sincerity of law enforcement officers and officials who, in fits and starts, are struggling to understand, and are trying to do the right thing.

It reminds us that routine discrimination and Jim Crow aren’t ancient history, it’s just a blink in the eye of history. It was just yesterday.  And so we should not be surprised that not all the healing is done.  We shouldn’t despair that it’s not all solved.  And knowing the larger story should instead remind us of just how remarkable the changes that have taken place truly are — just in my lifetime — and thereby inspire us to further progress.

And so hopefully this museum can help us talk to each other. And more importantly, listen to each other.  And most importantly, see each other.  Black and white and Latino and Native American and Asian American — see how our stories are bound together.  And bound together with women in America, and workers in America, and entrepreneurs in America, and LGBT Americans.  And for young people who didn’t live through the struggles represented here, I hope you draw strength from the changes that have taken place.  Come here and see the power of your own agency.  See how young John Lewis was.  These were children who transformed a nation in a blink of an eye.  Young people, come here and see your ability to make your mark.

The very fact of this day does not prove that America is perfect, but it does validate the ideas of our founding, that this country born of change, this country born of revolution, this country of we, the people, this country can get better.

And that’s why we celebrate, mindful that our work is not yet done; mindful that we are but on a waystation on this common journey towards freedom.  And how glorious it is that we enshrine it here, on some of our nation’s most hallowed ground — the same place where lives were once traded but also where hundreds of thousands of Americans, of all colors and creeds, once marched.  How joyful it is that this story take its rightful place — alongside Jefferson who declared our independence, and Washington who made it real, and alongside Lincoln who saved our union, and the GIs who defended it; alongside a new monument to a King, gazing outward, summoning us toward that mountaintop.  How righteous it is that with  tell this story here.

For almost eight years, I have been blessed with the extraordinary honor of serving you in this office.  (Applause.)  Time and again, I’ve flown low over this mall on Marine One, often with Michelle and our daughters.  And President Clinton, President Bush, they’ll tell you it is incredible sight.  We pass right across the Washington Monument — it feels like you can reach out and touch it.  And at night, if you turn the other way, you don’t just see the Lincoln Memorial, Old Abe is lit up and you can see him, his spirit glowing from that building.  And we don’t have many trips left.  But over the years, I’ve always been comforted as I’ve watched this museum rise from this earth into this remarkable tribute.  Because I know that years from now, like all of you, Michelle and I will be able to come here to this museum, and not just bring our kids but hopefully our grandkids. I imagine holding a little hand of somebody and tell them the stories that are enshrined here.

And in the years that follow, they’ll be able to do the same.  And then we’ll go to the Lincoln Memorial and we’ll take in the view atop the Washington Monument.  And together, we’ll learn about ourselves, as Americans — our sufferings, our delights, and our triumphs.  And we’ll walk away better for it, better because the better grasp of history.  We’ll walk away that much more in love with this country, the only place on Earth where this story could have unfolded.  (Applause.)

It is a monument, no less than the others on this Mall, to the deep and abiding love for this country, and the ideals upon which it is founded.  For we, too, are America.

So enough talk.  President Bush is timing me.  (Laughter.) He had the over/under at 25.  (Laughter.)  Let us now open this museum to the world.  Today, we have with us a family that reflects the arc of our progress:  the Bonner family — four generations in all, starting with gorgeous seven-year-old Christine and going up to gorgeous 99-year-old Ruth.  (Applause.)

Now, Ruth’s father, Elijah Odom, was born into servitude in Mississippi.  He was born a slave.  As a young boy, he ran, though, to his freedom.  He lived through Reconstruction and he lived through Jim Crow.  But he went on to farm, and graduate from medical school, and gave life to the beautiful family that we see today — with a spirit reflected in beautiful Christine, free and equal in the laws of her country and in the eyes of God.

So in a brief moment, their family will join us in ringing a bell from the First Baptist Church in Virginia — one of the oldest black churches in America, founded under a grove of trees in 1776.  And the sound of this bell will be echoed by others in houses of worship and town squares all across this country — an echo of the ringing bells that signaled Emancipation more than a century and a half ago; the sound, and the anthem, of American freedom.

God bless you all.  God bless the United States of America.  (Applause.)

END             12:26 P.M. EDT

Full Text Political Transcripts September 23, 2016: President Barack Obama’s Remarks at Reception in Honor of the National Museum of African American History and Culture

POLITICAL TRANSCRIPTS

OBAMA PRESIDENCY & 114TH CONGRESS:

Remarks by the President at Reception in Honor of the National Museum of African American History and Culture

Source: WH, 9-23-16

Grand Foyer

4:51 P.M. EDT

THE PRESIDENT: Well, welcome, everybody. (Applause.) This is an exceptionally good-looking group. (Laughter.) And there are just so many friends here that it feels like one of our house parties. (Laughter.) But there’s no dancing this afternoon. We’re here just to acknowledge what an extraordinary achievement has been accomplished by Mr. Lonnie Bunch — (applause) — and everybody who helped make this day possible.

Now, I want to just talk about Lonnie for a second. When Lonnie first came here from Chicago to start work on this museum a decade ago, he could not even find somebody to give him a key to his office. (Laughter.) Nobody had heard of this museum. And now you cannot miss it — a breathtaking new building right in the heart of the National Mall. And that is what we call progress. It could not have been done without the persistence, the wisdom, the dedication, the savvy, the ability to make people feel guilty — (laughter) — the begging, the deal-making, and just the general street smarts of Lonnie and his entire team. So please give him a big round of applause for all the work that he has done. (Applause.)

But, of course, this is also about more than Lonnie. This is about people who, for more than a century, advocated and organized, and raised funds, and donated artifacts so that the story of the African American experience could take its rightful place in our national memory. It’s a story that is full of tragedy and setbacks, but also great joy and great victories. And it is a story that is not just part of the past, but it is alive and well today in every corner of America. And that’s certainly true today in this house — a house that was built by slaves.

Now, I can’t name everybody that is here, but I’m going to have to give you a little bit of a taste. This room is like a living museum of its own. Right now, Madame Tussauds would be very jealous. (Laughter.)

We’ve got icons of the entertainment industry like Quincy Jones — (applause) — and Dick Gregory and Phylicia Rashad. (Applause.) We’ve got the first black woman in space, Mae Jemison. (Applause.) And we have the woman who owns the universe, Oprah Winfrey. (Laughter and applause.) We’ve got those drum majors for justice, like John Lewis and Andrew Young and C.T. Vivian, and Jesse Jackson. (Applause.) And we’ve got the next generation of warriors for justice like Brittany Packnett and DeRay Mckesson. We’ve got personal heroes of mine like Harry Belafonte — (applause) — who still is the best-looking man in the room at 90-something years old. (Laughter.) I’m just telling the truth. (Laughter.)

So this is an extraordinary group. But the thing about this museum is that it’s more about — it’s more than just telling stories about the famous. It’s not just about the icons. There’s plenty of space for Harriet Tubman and Dr. King and Muhammed Ali. But what makes the museum so powerful and so visceral is that it’s the story of all of us — the folks whose names you never heard of, but whose contributions, day after day, decade after decade, combined to push us forward and the entire nation forward.

It’s the maids who decided, you know what, I’m tired of segregation and I’m going to walk for my freedom. It’s the porters who not only worked tirelessly to support their families, but ultimately helped bring about the organization that led to better working conditions for all Americans here in the United States. It’s about our moms and grandparents and uncles and aunts who just did the right thing and raised great families, despite assaults on their dignity on every single day.

You see it in the dignity of the artifacts that are in the museum — the dignity of an enslaved family, what it must have been like to try to live in that tiny cabin. Those slaves who dared to marry, even though it was illegal for them to do so. Folks who were forced to sit in the back of a train, but went about their business anyway, and tried to instill in their children as sense that this isn’t who we are, and there’s going to be more someday.

You see it in the men and the women who rushed to the warfronts to secure all of our freedom, understanding that when they came home they might not yet be free. The students who walked passed angry crowds the integrate our schools. The families huddling around the Bible to steel their faith for the challenges ahead. That quite, determined dignity and hope.

Everybody here has somebody in mind when we think of those kinds of folks — who couldn’t make it to this room, but whose stories are our stories, and whose stories are represented at this museum. It might be an ancestor who ran to freedom, or an aunt or uncle who pushed back against Jim Crow, or a friend who marched or sat in. Or it might be young people who were organizing against cynicism today.

But the point is that all of us cannot forget that the only reason that we’re standing here is because somebody, somewhere stood up for us. Stood up when it was risky. Stood up when it was not popular. And somehow, standing up together, managed to change the world.

You know, the timing of this is fascinating. (Applause.) Because in so many ways, it is the best of times, but in many ways these are also troubled times. History doesn’t always move in a straight line. And without vigilance, we can go backwards as well as forwards.

And so part of the reason that I am so happy the museum is opening this weekend is because it allows all of us as Americans to put our current circumstances in a historical context. My hope is that, as people are seeing what’s happened in Tulsa or Charlotte on television, and perhaps are less familiar with not only the history of the African American experience but also how recent some of these challenges have been, upon visiting the museum, may step back and say, I understand. I sympathize. I empathize. I can see why folks might feel angry and I want to be part of the solution as opposed to resisting change.

My hope is that black folks watching the same images on television, and then seeing the history represented at this museum, can say to themselves, the struggles we’re going through today are connected to the past, and yet, all that progress we’ve made tells me that I cannot and will not sink into despair, because if we join hands, and we do things right, if we maintain our dignity, and we continue to appeal to the better angels of this nation, progress will be made. (Applause.)

I was telling Michelle — many of you know I get 10 letters a day from constituents, and it’s a great way for me to keep a pulse on how folks other than the pundits on cable TV are thinking. (Laughter.) And I know it’s a representative group because sometimes people say, Mr. President, we just love you and we especially love Michelle. (Laughter.) And you’re doing such a great job and thank you. And then there are others who write and say, Mr. President, you’re an idiot. (Laughter.) And you’ve ruined this country. And so I know I’m getting a real sampling of American public opinion.

Last night, as I was reading through my letters, I’d say about half of them said, Mr. President, why are you always against police, and why aren’t you doing enough to deal with these rioters and the violence? And then the other half were some black folks saying, Mr. President, why aren’t you doing something about the police? And when are we actually going to get justice?

And I understand the nature of that argument because this is a dialogue we’ve been having for 400 years. And the fact of the matter is, is that one of the challenges we have in generating a constructive discussion about how to solve these problems is because what people see on television and what they hear on the radio is bereft of context and ignores history, and so people are just responding as if none of what’s represented in this museum ever happened. And that’s true for all of us, not just some of us.

And so when I imagine children — white, black, Latino, Asian, Native American — wandering through that museum, and sitting at that lunch counter, and imagining what it would be like to stand on that auction block, and then also looking at Shaq’s shoes — (laughter) — and Chuck Berry’s red Cadillac, my hope is, is that this complicated, difficult, sometimes harrowing, but I believe ultimately triumphant story will help us talk to each other, and, more important, listen to each other, and even more important, see each other, and recognize the common humanity that makes America what it is. (Applause.)

So that’s a lot of weight to put on one institution.

MRS. OBAMA: We can do it. (Laughter

THE PRESIDENT: But Michelle and I, having taken Michelle’s mom and our daughters to see it, we feel confident that it will not just meet expectations, but far exceed them. And it would not have happened without all of you. So you should be very, very proud.

Congratulations. God bless you. God bless America. (Applause.) Thank you. (Applause.)

END
5:07 P.M. EDT

History Buzz April 16, 2012: Darlene Clark Hine: First Lady Michelle Obama, Paradox, African American Studies Professor & Historian Says

HISTORY BUZZ: HISTORY NEWS RECAP

History Buzz

HISTORY BUZZ: HISTORY NEWS RECAP

Darlene Clark Hine: First Lady Michelle Obama, paradox, African American Studies Professor & Historian Says

Source: WaPo, 4-16-12

President Obama and first lady Michelle Obama arrive to welcome Britain’s Prime Minister David Cameron and his wife Samantha Cameron to the White House prior to a state dinner. (Susan Walsh – AP) Northwestern University.

“Michelle Obama is a genuine paradox,” said Michel, a professor of African American studies and history at Hine’s lecture, part of a black studies conference at the university last week, argued that the first lady is a “transformative, liberationist” figure — despite her interest in domestic issues and the long list of magazine cover stories focused on topics such as Obama’s approach to motherhood or the importance of healthful eating.

“I caution: Let us not be distracted by a first lady draped in gowns, gracing the covers of women’s magazine’s from ‘Essence’ to ‘Vogue’ or a first lady on her knees planting a White House garden or a first lady jumping double-dutch rope with an array of young girls,” Hine said. “Rather let us appreciate the paradox.”

“What you think you see and know of her may not be all that is important to know about her,” Hine said in an interview after her lecture. “People see her as these labels – black and woman – and they see her acting in domestic ways – focused on home, hearth and family – as if there is no political agenda.”

“She is using the politics of self-development, neighborliness, and that will lead the the future election of just and humane individuals,” Hine said. “The lives you save today will make the changes that you suggest to them in the future.”

History Buzz February 19, 2012: New Museums; the National Museum of African American History and Culture, National Center for Civil and Human Rights & International African American Museum to Shine a Spotlight on Civil Rights Era

HISTORY BUZZ: HISTORY NEWS RECAP

History Buzz

HISTORY BUZZ: HISTORY NEWS RECAP

New Museums to Shine a Spotlight on Civil Rights Era

Source: NYT, 2-19-12

Andrew Councill for The New York Times

The Smithsonian’s National Museum of African American History and Culture in Washington plans to display the lunch counter from an important civil rights protest in Greensboro, N.C. More Photos »

Drive through any state in the Deep South and you will find a monument or a museum dedicated to civil rights.

Multimedia
Haraz Ghanbari/Associated Press

Engraved names on a civil rights memorial at the Southern Poverty Law Center in Montgomery, Ala. Such monuments are common in southern states. More Photos »

Mike Segar/Reuters

The Lorraine Motel in Memphis, where the Reverend Dr. Martin Luther King Jr. was assassinated in 1968, is now part of the National Civil Rights Museum. More Photos »

Raymond McCrea Jones for The New York Times

An artist’s initial rendering of the Center for Civil and Human Rights in Atlanta, scheduled to break ground this summer and open in 2014. More Photos »

A visitor can peer into the motel room in Memphis where the Rev. Dr. Martin Luther King Jr. was staying when he was shot or stand near the lunch counter in Greensboro, N.C., where four young men began a sit-in that helped end segregation.

Other institutions are less dramatic, like the Tubman African American Museum in Macon, Ga., where Jim Crow-era toilet fixtures are on display alongside folk art.

But now, a second generation of bigger, bolder museums is about to emerge.

Atlanta; Jackson, Miss.; and Charleston, S.C., all have projects in the works. Coupled with the Smithsonian’s National Museum of African American History and Culture, which breaks ground in Washington this week, they represent nearly $750 million worth of plans.

Collectively, they also signal an emerging era of scholarship and interest in the history of both civil rights and African-Americans that is to a younger generation what other major historical events were to their grandparents. “We’re at that stage where the civil rights movement is the new World War II,” said Doug Shipman, the chief executive officer for the National Center for Civil and Human Rights, a $100 million project that is to break ground in Atlanta this summer and open in 2014.

“It’s a move to the next phase of telling this story,” he said.

The collection at the museum, which is to be set on two and half acres of prime downtown real estate donated by Coca-Cola, will include 10,000 documents and artifacts from Dr. King and a series of paintings based on the life of Representative John Lewis, Democrat of Georgia, by the artist Benny Andrews, who died in 2006….READ MORE

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